Staging the soundtrack’s main theme within the film scenario itself was one of Lucio Fulci’s very interesting ideas in “A lizard in a woman’s skin”.
The theme, which is once again a wonderful one from Ennio Morricone, perfectly reflects the abyss of confusion in which Carol (Florinda Bolkan) is slowly sinking across the film.
As usual, the music is used as a recurring pattern. However, with one character it becomes a key element of the scenario: Inspector Corvin (Stanley Baker). Each time he appears in the screenplay, he is shown whistling the theme, in a fashion very reminiscent of Sergio Leone's western (where the characters are strongly identified by their musical theme).
This use of a musical pattern within the scenario is quite unusual in a Giallo. It is very interesting because it builds a link between the two characters on which the film will eventually close: Carol, who can't cope with her inner dilemma, as reflected in the main theme, and the inspector, who from the start, by whistling the very same melody, shows her he has already understood what's happening in her mind.
By this clever use of a simple musical device, Fulci makes it clear that the inspector's deduction technique is a more efficient tool than the psychoanalyst's skills to find the truth and read Carol's twisted mind.
Which means, in this otherwise irrational movie, it surprisingly sounds like the final say is left to rational thinking.
Una lucertola con la pelle di donna's soundtrack can be found here.
More from this blog about this film here and there.